Put attention, grandma would say, as if attention
were a packet of salt to be sprinkled, or a mound
we could scoop out of a carton like ice cream.
Put attention, put attention. Put it where? In her hands?
In the percolator? On top of the television set
that seeps fat red lips and Mexican moustaches?
Next to the jade Buddha? Between La Virgen and Cousin
Pablo’s sixth-grade class photo—marshmallowy teeth
jumping out of his mouth? We never corrected her.
Like the breast, Spanish lulled grandma's tongue, as we threw
down shards of English, laughing, for her to leap in and around.
Put attention, put attention. Put it where?
Shall I put attention in my glass and drink it soft like Montepulciano
d’Abruzzo? Like Shiner Bock? Horchata? Put attention.
Ponga atención, she tried to say in our language.
Put attention somewhere large. Back into her eyes.
In the part of her brain that doesn't remember her own
daughters, how to make rice, translate instructions.
Laurie Ann Guerrero (b. 1978) b. San Antonio, TX. Earned BA in English Language and Literature from Smith College and MFA in Poetry from Drew University, Madison, NJ. Poetry collections include A Tongue in the Mouth of the Dying (2013), recipient of an International Latino Book Award and the Andrés Montoya Poetry Prize; A Crown for Gumecindo (2015), a collaboration with the artist Maceo Montoya; and I Have Eaten the Rattlesnake: New & Selected Poems (2021). Served as Poet Laureate of San Antonio, 2014–16, and of Texas, 2016–17. Currently associate professor and writer-in-residence at Texas A&M University, San Antonio.