It’s when they see me naked that they finally believe
I’m from Panamá. The crucifix
hanging on my Black chest, underneath
the little hair I inherited from my father,
sweats as I perform what priests
and their laws call unnatural acts.
Only men grow body hair.
Only men are this dark and when
my hands finally darkened enough
to color even the blackest swans
I was sad to see them suddenly turn into wings,
plumed palms, hollow finger bones,
limp wrists. But then again, the struggle
of first flight against the moon’s night
can be a freedom beyond heaven and
its wanting eternity. So now
rebellion is my new religion
or something else romantic and American
like a crownless king, perhaps an immigrant one
atop a throne, in native disguise.
Darrel Alejandro Holnes (b 1987) b. Panama City, Panama. Received BA at the University of Houston and MFA at the University of Michigan. Publications include the chapbook Migrant Psalms (2021) and the poetry collection Stepmotherland (2022), winner of the Andrés Montoya Poetry Prize. His plays have been produced at the Kennedy Center for the Arts American College Theater Festival, Kitchen Theater Company, Primary Stages, and elsewhere. Currently assistant professor of English at Medgar Evers College and part-time professor at New York University’s Gallatin School of Individualized Study.